Away We Go, directed by Sam Mendes is a sweet little film about a happy but more-or-less unprepared couple awaiting the birth of their first child. John Krasinski and Maya Rudolph star as Burt and Verona, unmarried thirty somethings who've settled down within a short distance of Burt's parents, only to discover that the selfish grandparents-to-be are selling the house and relocating to Belgium.

No reason for Burt and Verona to live in Colorado anymore, so they decide to go on a tour of friends and relatives across North America, in search of the perfect place to raise their unborn kid.

A delicate balance between a comedy and a poignant drama, Away We Go is structured as a road movie, with much of the film's charm derived from the chemistry between the leads who learn important life-lessons at every stop they make.

There are laughs to be had from such caricaturish but comical characters as the loud-mouthed monster-mother (played by Allison Janney) and her understandably dysfunctional family in Arizona, and the New Age feminist academic (played by Maggie Gylenhaal) and her similarly self-righteous husband in Wisconsin.

It's the sentimental interludes that stick out it in this film - like that silly scene in Tuscon between Verona and her sister in a bathtub, in which we learn that she hasn't yet come to terms with her parents' death. Or that scene in a Montreal nightclub in which their friends, a seemingly perfect couple, reveal to Burt and Verona the chink in their otherwise perfect lives.

In the end though, the film is a warm, old-fashioned morality tale about the importance of family and home; about raising one's kids in this mad, mad world, and about expressing your feelings.

I'm going with three out of five for Away We Go; it's a good film about good people. Not nearly as smart as the director's previous films - Revolutionary Road and American Beauty, which dealt with the breakdown of the American family - but an inspiring and engaging watch nonetheless.

Watch it at a late-evening show after a long, tiring day at work; you'll find it's inherently comforting.

Rating: 3 / 5 (Good)

I think I can honestly say that I like Sam Mendes. His films seem to gun above all else for a place of timeless emotional resonance (even when that timelessness eludes the films themselves) and usually succeed, even within the more confined quarters of their respective settings, whether the war-gutted landscape of Jarhead or the 30s era noir of Road To Perdition. Although the critically loved American Beauty loses alarming shades of impact for me with each viewing due to its flawed philosophical stabs toward truth, Mendes still manages to provoke a contemplative mindset out of his audience. His films operate well on that level, even when they fall short in their personal declarations.

Away We Go is Mendes' warmest film to date, taking on a tone of humor and lightness that none of his other works approached without a biting irony to match. Bert (The Office's John Krasinsky) and Verona (SNL's Maya Rudolph) are a young couple expecting their first child. They occupy a ramshackle trailer in Colorado near where Bert's parents (Jeff Daniels and Catherine O' Hara) live. Bert and Verona's reasons to remain in the area fall apart quickly when his parents decide to immediately move to France for a couple years, despite hearing the news of their coming grandchild. With that incentive now gone, the couple embarks on a road trip around the continental U.S. to reunite with old friends and look for a new place to call home. With each stop, through each encounter with estranged family and past friends, they find unsurety in their future as well as deepening layers in their relationship.

I've read a couple accounts that criticize the clashes between the poignancy and humor in Away We Go, and to a certain extent I would have to agree. There is definitely a clumsily staggered rhythm at certain points in the story, but overall I'd say that the heart of the insights and conflict overcomes the erraticism of the pace. There is some great chemistry between Krasinsky and Rudolph, and the talent (the aforementioned Daniels and O' Hara, Jim Gaffigan, Allison Janney, Paul Schneider, and Maggie Gyllenhaal, among the rest of the supporting ensemble) create convincing foils and compliments to Bert and Verona's journey. The direction is solid, and the screenplay (by first time screenwriters, novelist husband-and-wife team Vandela Vida and Dave Eggers) is sharp, hilarious and mostly consistent with its narrative. There's really nothing to keep me from recommending Away We Go. It's got an infectious vibe to it, and while it may be incongruent at times, and perhaps ride the Juno/Little Miss Sunshine/Junebug wave a little hard, it still remains enjoyable and heartfelt.