It was a good film with some very good performances, but I was a little bit unclear about what it was trying to say. There are themes about pedophilia, revenge, justice, and trust, but they never all come together into one strong statement at the end. This was also a weakness of Clint Eastwood's UNFORGIVEN. However, this shouldn't discourage people from seeing this film which has some truly great performances. Sean Penn, Kevin Bacon, and Marcia Gay Hardin all give some of the best performances of their career. Lawrence Fishburn gives a very good performance as well as Kevin Bacon's partner.

Twenty years ago, the boys Jimmy Markun, Sean Devine and Dave Boyle are neighbors and pals, playing hockey on the street. One day, Dave is kidnapped by two men, being sexually abused, but escapes from them four days later. In the present days, each one of them followed one way in their lives: Jimmy (Sean Penn) is married with Annabeth Markum (Laura Linney), has three daughters and has a small business. Sean (Kevin Bacon) is a detective, and his pregnant wife left him six months ago. His colleague is the detective Whitey Powers (Laurence Fishburne). And Dave (Tim Robbins) is a traumatized man, married with Celeste Boyle (Marcia Gay Harden) and having a young son. When the nineteen years old daughter of Jimmy, Katie Markum (Emmy Rossum), is found dead in the neighborhood, the three friends in childhood meet each other again, in the investigation of the murder. A tragic event happens in the conclusion of this investigation. This movie is excellent. Yesterday, I saw it on DVD and I was impressed with the direction of Clint Eastwood and the performance of the cast. It is almost impossible to highlight one actor or actress, but I was stunned with the performance of Sean Penn. It is a film based on the acting, and not on special effects, shootings or race of cars. I was very impressed, since the tragic story of the loss of the youth is very real, full of human flaws, disturbances, prejudice and judgements. The destiny of this movie in the future may be to be considered a contemporary classic. My vote is nine.

Title (Brazil): `Sobre Meninos e Lobos' (`About Boys and Wolves')

Eastwood's big Oscar hit after "Unforgiven", that other masterpiece directed by Dirty Harry himself. "Mystic River" is based on the bestselling novel by Dennis Lehane and it has an incredible cast. The main leads are for Sean Penn, Tim Robbins and Kevin Bacon. Furthermore we have Laurence "Morpheus" Fishburne, Laura Linney and Marcia Gay Harden. The movie itself is very dark and sober without much music. The story is brilliantly written and the acting is without any doubt superb.

I'm glad Sean Penn finally won an Academy Award, he's a brilliant actor and he certainly deserves the recognition. Tim Robbins was good as well, but I think Benicio del Toro should have won the Academy Award for Best Actor in a Supporting Role. His performance in "21 Grams" was much more superior to Robbins' performance in "Mystic River". Anyway, that's just what I think. Kevin Bacon was excellent as well and he is one of the most underrated actors of his generation. Marcia Gay Harden and Laura Linney were good as usual.

Although I very much enjoyed this movie, it didn't exactly turned out to be the masterpiece I was expecting. But that's maybe because this was only the first time I watched it. Anyway, I'm still looking forward to see Eastwood's masterpiece of this year: "Million Dollar Baby". But this movie is absolutely worth seeing as well.

Let's say it straight away: before "Mystic River" (2003), Clint Eastwood's last works had left me a little unsatisfied; particularly "Blood Work" (2002), a watchable thriller with a certain charm but without great originality. But the following year, with "Mystic River", he made a sensational comeback and quite obviously this movie, which critically and commercially gave a boost to his career is his most accomplished since "Unforgiven" (1992).

By watching "Mystic River" one can feel that Clint Eastwood, more than ever put a lot of effort into the elaboration of his movie. From a subtle screenplay written by Brian Helgeland who shows that he is a far better scriptwriter than director (as far as I'm concerned, I hated the rather insipid "A Knight's Tale" 2001), Eastwood develops an absorbing and ingenious directing which contributes in weaving a shady and even stifling by moments atmosphere. On another extent, Eastwood takes back a way that had worked for him in "Blood Work": favoring calm and patience. And indeed, on an unhurried pace, the film-maker takes all his time to shot the evolution of this detective story. More important, he made this choice for another reason: to do a thorough psychological study of the three main characters. The basis of "Mystic River" consists in a classic detective investigation (nevertheless passionating in its construction) doubled with a relevant description of the three main protagonists.

To watch "Mystic River" is like to find oneself on the edge of a forest and to disappear into it. The more the movie progresses, the more we discover three heart-broken characters because they are linked by dark events. First, Jimmy Markum (Sean Penn). We learn that he has flirted with violence and has spent a few years in jail but he seems to have become a well-behaved man: he works in a grocery store and regularly goes to church. But the death of his daughter crushed him and he is determined to avenge her. Then, Sean Divine (Kevin Bacon) who appears as a reliable and lucid cop but whose private life is hell: he experienced a failed marriage and his wife keeps on harassing him day and night. At last, Dave Boyle (Tim Robbins), a broken father who underwent a deep traumatic experience (he was kidnapped and raped by two men who claimed to be priests). The consequences are terrible: he can't communicate anymore, he can't defend himself anymore and he wanders like a ghostly figure in the streets of his neighborhood. As a matter of fact, this traumatic scene is at the root of the three characters' misfortunes. Being the very first sequence of the movie, it sets the tone of Clint Eastwood's 24th movie. It presents Jimmy, Sean and Dave playing in a street. The sky is gray, the houses of the neighborhood are bare and austere. The ball which disappears through the manhole may symbolize the loss of childhood. Then, a big black car arrives. One of the men gets out and claims to be a priest (or does he?). He orders Dave to go into the car and the latter drives away. This moment will haunt the three boys for the rest of the lives and will deeply influence their personality. Roughly, "Mystic River" demonstrates in a conclusive way how such a past dramatic event can influence our present lives.

In virtually all the critics I have read, "Mystic River" was hailed for its cast. It's true that Penn, Bacon and Robbins rank among the best American actors of their generation and I think we will never thank Eastwood enough for having reunited them. By giving a lot of depth to their respective characters, one can feel that they were giving their all, which can explain why the movie was shot in a rather short time (39 days). They may even never battle their dazzling performances. And the rest of the cast is just as equal as the whole, especially the actresses whose female characters have an important role in the story since they influence (unconsciously or not) their husbands' actions and characters.

To a third degree, Eastwood's major work is also used to denounce the deceptive superficiality of the appearances, the omnipresence of violence and the credulity of many inhabitants. The film opens with an overview of the neighborhood but doesn't show yet that it is devastated by violence. No matter what the time is. Violence is omnipresence and the fact that it touches younger generations proves that it isn't ready to subside.

At last, let's also congratulate Eastwood for the remarkable music he has signed himself with his son. With this music, simplicity rhymes with efficiency. One has just to listen to a few notes to feel an intense emotion inside us.

In the middle of all these qualities, there are just minor faults. So, Bacon is a tormented cop due to his disastrous marriage and however, we really don't know what went wrong with his wife. Is it Dave's kidnapping? Is it his trying job? This point remains ambiguous. Ambiguous is also the adjective that suits the best to qualify the end of the film. What can mean the gesture Bacon makes to Penn? But these two points let freely the way to any possible interpretation.

The contribution of the crew in Eastwood's work is total and so is my enthusiasm for "Mystic River". If you haven't seen it yet, go and watch it. You won't regret it. At the age of 73 years old, "grandad" Clint Eastwood is still in great form and given the recent triumph of "Million Dollar Baby" (2004), he seems to have decided to bring the house down again in the landscape of American cinema for our greatest pleas