touseef1992 > ReviewsI LOVE PAKISTAN(PAKISTAN ZINDA BAD)

I'm nearly at a loss for words. Just when you thought Christopher Nolan couldn't get any better than "The Dark Knight", he outshines himself there and continues to deliver another masterpiece, one with so much power and rich themes that has been lost from the box office for several years. Questioning illusions vs reality usually makes the film weird, but Nolan grips your attention like an iron claw that you just can't help watching and wondering what will happen next. That is a real powerful skill a director has. No wonder Warner Bros. put their trust in him, he is THAT good of a director, and over-hyping a Christopher Nolan film, no matter what the film is about, is always an understatement instead of an overestimate like MANY films before. Not since the eras of Stanley Kubrick, Andrei Tarkovsky and Alfred Hitchcock has there been a more brilliant director than Christopher Nolan. He is, undoubtedly, one of THE most brilliant and gifted Hollywood filmmakers in history. Filmmakers like him come but just once in a lifetime. He has the ability to seduce our eyes, ears and most importantly, mind, and then delivers what he intends to deliver in full blast. Rarely have blockbusters have the gall to deliver such amounts imagination and intelligence at the same time. And yes, it is similar to the excellent anime film "Paprika" in the whole "invading dreams" plot, but the similarities end there as Nolan brings the film to a whole different level. Visuals and intelligence rarely come together in movies at the same time, it's either all-visuals-no-smarts ("G.I. Joe", "Transformers") or the exact opposite ("Doubt", "Invictus"). In this film the excellently directed action sequences combined with immensely groundbreaking and jaw-dropping visual effects are combined smoothly with a heavy dose of intelligence and believability. Although having an ensemble cast and financed by a Hollywood giant studio (Warner Bros), this film is a very personal film for Nolan, he wrote the film as well as directing it, and as you watch the film you get many glimpses of Nolan's perplexing, increasingly imaginative thoughts and dreams in the dialog that he writes and the plot that he sets up. Ideas have never felt more interesting and put to good use than in this film. This film is NOT for the popcorn muncher, rather it is a film for thinkers. Honestly I can't explain the plot for fear of spoiling the movie for you readers. Even the slightest hint will ruin the experience. The viewer will walk out of the cinema feeling dazed, confused and ultimately breathless. It's like a puzzle, both physically and mentally, and you have to pay attention throughout the film for the clues. However Nolan controls the spectacle of the film and is careful not to let it overwhelm the film's humanity, and this is where "Inception" shines. It is a very deep film that will have one thinking and asking questions for years to come. That's right, years. Once the film ends, you'll want to watch it again, for there's something new every time. This is a film that requires multiple viewing for someone to truly comprehend the film's ambiguous themes, and will be discussed by many in the future. This is an original film, no adaptation, no sequel/prequel, no remake/reboot, which is extremely refreshing having gone nearly three years of mostly unremarkable visual effects roadshows ("Avatar" be damned). Of course, a film is not complete without the actors. Leo DiCaprio delivers an Oscar worthy performance, similar but better than his previous effort "Shutter Island". He shows glimpses of a flawed, grim, fragile man, who has knowledge about everything else but yet can't seem to come in grips with himself and his demons. Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Ken Watanabe, Dileep Rao, Cillian Murphy, Tom Berenger, Michael Caine, Marion Cottilard, Pete Postlethwaite, Lukas Haas... Nolan really brings out the best in this unusual yet extremely talented group of supporting actors who make their roles their own. Nolan is of course, a master behind the camera, a real virtuoso when it comes to film. His direction is taut, focused, gripping, and extraordinarily fascinating. The detailed and complex original script is no surprise from Nolan, considering the fact that he turned Batman the superhero into pop-culture art two years ago ("The Dark Knight"). The action sequences are unique, exciting and fresh, something absent from the cinema which has since been interested at things popping towards the screen and stuff blowing up every two milliseconds. The visual effects are awesome and imaginative, and best of all they do not bring down the movie's quality one bit, rather it makes the movie more fascinating to watch. The cinematography is absolutely, beautifully shot, so we can see the action and emotion in all their glory. Production design is top notch, with terrific design of sets and locations. Hans Zimmer's complementing music score is simply outstanding, and knowing the man, that's really all I have to say. Together all of these elements combine to deliver a mesmerizing movie experience like no other this year. Christopher Nolan has once again outdone himself. He truly is a gifted filmmaker, arguably the most imaginative in Hollywood today. And "Inception" can proudly stand alongside "Blade Runner" and "2001: A Space Odyssey" as science-fiction masterpieces that push the boundaries for movie making and become a different experience altogether. There are two types of films: the crowd-pleasing blockbuster and the intelligent indie/art film. Nolan has combined two of these tropes together into one exceptionally brilliant package, pulling off that rare, now nearly-extinct Movie Magic that has since been wiped off the planet by sequelitis and reboots. Movie of Summer 2010? Movie of 2010? Heck this is possibly the first masterpiece of the decade! Nolan is a genius and I applaud him for treating his audiences as intelligent people.

The Last Mimzy is a 2007 science fiction family film directed by Bob Shaye and loosely adapted from the acclaimed 1943 science fiction short story "Mimsy Were the Borogoves" by Lewis Padgett (the pseudonym of husband and wife team Henry Kuttner and C. L. Moore). The Last Mimzy centers on two children, Noah (Chris O'Neil) and Emma (Rhiannon Leigh Wryn) Wilder, who develop preternatural powers when they encounter a mysterious box containing strange devices, presumed to be toys. Presented as a flashback, The Last Mimzy is the story of a distant future's attempt to avert a catastrophic ecological disaster that has destroyed their world. High tech devices, masquerading as toys, are sent back in time into the hands of Noah and Emma, two children who live with their parents Jo (Joely Richardson) and David (Timothy Hutton) in early 21st century Seattle. The "toys" are mostly incomprehensible to Emma and Noah, except for what appears to be a stuffed rabbit named Mimzy. Sensing the strangeness of the devices, the children initially keep their discovery a secret from their parents. Interaction with the devices causes the children to develop increased intelligence and psychic capabilities, including teleportation of objects, telepathy, levitation, telekinesis, and the ability to communicate with arthropods. Emma becomes emotionally attached to Mimzy, from which she learns how to further operate the devices. The children's unusual abilities and Emma's obsessive attachment to Mimzy soon alert their parents and schoolteachers to the devices; later, a power black-out of the entire Pacific northwest caused by the toys alerts the FBI to their activities as well. The family is held for questioning, and it is revealed that Mimzy is actually an advanced form of artificial life utilizing nanotechnology created by Intel Corporation. Mimzy has brought a message from humanity's future, which Emma explains to mean that pollution has corrupted humanity's DNA. Many rabbits like Mimzy were sent to the past, but none had successfully returned; Mimzy is the last one remaining. Mimzy explains to the children that they must use the toys as a time machine to return her to the future with uncorrupted 21st century DNA, which the people of the future can use to correct the damage to their DNA caused by the ecological problems. Despite attempts by an unbelieving FBI to hinder them, Noah and Emma use their psychic powers to escape with Mimzy and the other objects and are able to activate the time portal by which Mimzy can return to the future. Fortunately, Mimzy carries with it a tear of Emma's, thus providing the pure DNA required to prevent the disaster. In the new future, Emma is revered as the "mother" of all the present generations, and the children exhibit the same psychic gifts that Emma had developed. The world has become a more beautiful place, where it is presumed that humanity has integrated better into the natural ecosystems. The Last Mimzy features an ensemble cast that includes Timothy Hutton, Joely Richardson, Rainn Wilson, Michael Clarke Duncan, Patrick Gilmore, and newcomers Rhiannon Leigh Wryn and Chris O’Neil as the children, Emma and Noah. Well-known string theorist Brian Greene has a cameo appearance as an Intel scientist. Combined, the cast and production team feature six Academy Award winners.[citation needed] Rhiannon Leigh Wryn as Emma Wilder, who discovers the "toys" Chris O'Neil as Noah Wilder, Emma's elder brother Timothy Hutton as David Wilder, father of Noah and Emma Joely Richardson as Jo Wilder, David's wife and mother of the children Rainn Wilson as Larry White, Noah's science teacher Kathryn Hahn as Naomi Schwartz, Larry's fiancee Michael Clarke Duncan as FBI Special Agent Nathaniel Broadman Patrick Gilmore Kirsten Williamson as Sheila Broadman, Broadman's wife Marc Musso as Harry Jones, Noah's best friend Irene Snow as Lena, future teacher Kimberly as the cat. Hope you will Like. **VIKING**

The MOvie Is great which is directed by Gavin Hood.And the Hero which is called as Wolverine is done by Hugh Jackman. The film,s story Round About the Past life of Logan(Wolverine) before he came to mutant school. The film Was Great. To the film's credit, its quick movement makes it easy to watch and entertaining and there's some surprisingly good comedic timing on Jackman's part for an action movie. Seriously though, it must have been a blast (no pun intended) on the set during action sequences because they actually destroyed everything they possibly could: CGI, real and both. This film is the beginning of what will surely be mind-blowing visual effects at the movies this summer. Hood gives new visual strength to the franchise and provides a much more epic feel to this film -- it's clearly about this grand journey for Wolverine, even if it's more spectacle than introspective. Surprisingly, the ending was the most satisfying part of the film. All the subplots converge, it makes sense and the loose ends that fans of the first three films will notice get tied up fittingly at the end. For the whole first hour of the film you're juggling Wolverine and Sabretooth's rivalry, Stryker's team of guys with powers, Wolverine's romance with Kayla out in the wilderness, what's happening to the team of guys with powers ... why the heck kid Cyclops is in the movie ... it's not overwhelming, it's just not as enjoyable when you can't focus on one thing or character as much as you'd like. Still, the ending justifies the strange means, at least in terms of the epic battle that ensues. Hope You Will Like IT. VIKING